The
Frankfurt High end show
Small Review and many
impressions.
The review focuses on speakers, because
on a show it is very difficult to hear fine nuances so although I would have
loved to review the other stuff, it simply would not be accurate.
Already like this it is a fragile
review but it’s the best manageable without asking everyone to get out,
While
I do the listening !!!!!!
The general atmosphere I captured is
one of a too big show, too many rooms. Very badly orient able, so easy to get
lost or so easy to miss many rooms on a floor.
Knowing what the exposants pay just to
be there, I find it not very acceptable, but that is the name of the game: EXPOSURE .
You need to be in the catalog, you need
to attract people with eye catchers and since I didn't even manage to see all 3
Floors in one day, and that was on the day reserved for professionals, meaning
few people.
I only managed to do 2 floors, but I
did them thoroughly.
I got a good listen in many rooms, in
decent conditions and I had a few surprises, pleasant and unpleasant off
course.
What really hit me is how popular phono
is, almost every room has a record player connected. And almost everyone plays
with tube amps (not everyone but 1 in 2 which is a lot)
And contrary to the VAD high end show
in the Benelux, this was a most pleasant surprise.
On another note, attendance is well
down, mainly because high end is killing itself by overpricing or the race to
being the most exclusive most expensive
which doesn’t identify to most people.
I heard big systems and small systems,
and the rooms are all more or less the same, the rooms are SMALL, and one must
be careful where he sits,
not close to the wall as there its
usually over bassed, the problem is then there is only the next row available
as the row in front of that its too close!!!!!
The first room I walked in was the
Harman Kardon room, and they where demonstrating the new JBL system, with Mark
Levinson amps & cd player, well I didn't like what I heard, as so often the
chosen demonstration disc is unbearable unless you want to get stressed!

So I asked for a CD with voice and bass
and they chose a very good blues cd. Then I had to ask for a bit more volume,
and they put it very loud, but that didn't matter, because if those speakers
cannot handle blues correctly (live blues) then they cant handle anything
correctly.
It sounded ok, but not good enough.
Lack of bass slam weight on the JBL
38cm woofer because the enclosure is too small and the horns are louder!
Slightly aggressive mid's but just simply not good enough, so for comparison
they had the new home theater set next to it. And I asked for the same song to
be played at similar volume next to it, this goes through a dvd and home
theatre amp from Harman Kardon itself the 850.
At same volume normally the horn should
have been better, even that this set probably costs about 1/10 it shouldn’t be
even comparable.
Guess what, yes the small slim new
system was better, the bass was much deeper, not so dry & controlled but
live blues needs a fat bass, this one was too fat.
The mids and highs where as good and
less aggressive, not by much but where not even talking of equipment of the
same pedigree.
Official explanation (because they too
heard it); " this is an active bass unit with active eq correction and the
room has horrible bass response, so thats why it sounds better "!!!!!!!
Beusendorf present a new line of
speakers, the general concept is nice but I am very critic on others people's
work, I wish i could say the same for my own.
The general concept is a very slim
design with a cheap 25mm dome tweeter in front, full rectangular and the bass
-midranges on the sides.
The result is:
Astoundingly great on piano, really
amazing, there is a loudness effect, the upper mid’s are missing this is very
pronounced when voice is playing, and therefore this speaker needs a midrange
in the slim front.
I discussed this with the designer, and
he really doesn’t agrees, end of discussion.
Something funny at the Japanese Reimyo,
they where playing and at the same time a opera singer was singing along, and
indeed it was difficult to hear the difference but that is not a valid criteria
just a funny one, it was a good singing performance and nice speakers and good
amps.
300B SE using original Western Electric
300B tubes and drivers penthodes probably the WE 310A, unfortunately this room
was mostly empty.
I particularly liked the wooden
isolators they used for keeping the cables of the floor. (I wander if that
really helps)
Many high end sets didn't sound good,
no magic at all (the super cables used
didn’t help either) and to my big surprise, I walk in the Marantz room,
not expecting anything. And the sound was excellent. Then I inquired what
speakers they used, it looked like Sonus Faber .......... and it was. Sound was
excellent .All Scan Speak drivers and Mundorf filter components used.
Also
finally I got to hear the flower pot speakers (excuse me) the Acapella Horn
Speakers. Giant speakers the biggest model is active and uses a column full of
speakers for bass to accompany the horns (3 way horn), sounded good but not
exceptional.And funny thing is everytime you get to listen to high sensitivity
speakers you get to listen to trumpets and only classical.
I missed the real speed and bite of the
horn .
They
play music with whistles and bells, not really music with emotional content so
i'll return and get a 2nd listen to it.
Well
the 2nd listen confirms that this is not a great system, probably
the horns are at fault, these flower pots are just thin plastic and are prone
to amplify the noise or resonances of their own inner walls. And the result
also depends on the filters and the run time and motors used and I suspect its
all cheap stuff.
The
other flower pot company, Avantgarde, with their huge Trio system is certainly
not convincing, and I really wanted to be convinced.
The
bass horn is not good, and the rest neither .
I
asked for a good blues record as that contains good variety of tones.
But
from memory of my youth when I was more dealing with PA systems. I can tell you
that the now unfortunately murdered mr Martin from Martin audio made superb
horn system that made my hair stand up, and was clean and powerful, gosh I miss
that.
I
finally got a chance to hear the Manger units, and i was very disappointed,
there is something wrong!
Difficult
to describe, a kind of heavy distortion probably around x-over frequency 250Hz
and an added problem with the rectangular shape that produces standing waves at
a given frequency anyway I will never recommend them. After all the hype maybe
I was expecting to much.
I
also had the chance to hear the Full-range units of Aer in horn speakers from Opera through tube amps
and they are better then Lowther! That’s for sure. They also demo it in a
simple bass reflex cabinet, but then it really lacks in bass and the overall
image suddenly is smeared. So the ECONOMIC version is really shitty and the
back loaded horn is excellent but $$$$$$
16000 euro for the big horns !!!!
One
of the big surprises I had was in a room with simple looking speakers from
Triangle. A new model that uses 2 (cheap) bass units,17cm drivers mounted in
parallel.
One
mid range unit, also 17 cm and that one has a phase plug and a stiff
suspension, above it sits a nice horn tweeter (also a cheap one).
All
connected to another simple looking tube amp, a PP 6L6 type, and sound was
excellent, the speakers clearly impressing me. Huge 3d soundstage and good
bass, excellent midrange, bass is not the best but the mid and highs are
excellent while on the soft side, and for the budget the sound really exits the
speaker, excellent 3D soundstage, wide and deep, and quite clean performance

I also had a chance to hear small
speakers Uvola, egg shaped, and they sounded very nice, decent bass and really
good sounding .The 11 cm bass-mid is off course limited but for normal purpose
they produce good 3d and good emotion and for surround are ideal as they don’t
look like a speaker.

Quad
again is reintroducing the electrostatic panel. Sound is quite good, even
excellent. Good enough bass and very clean mids and highs. I think they are
right to do that, if the old panel was good then the new one surely is much
better.

Bunzow
elektro acoustic, presents new electrostatic panels. Also available to the diy
market, complete with high voltage transformers ect at reasonable prices. We
got the distribution for the Benelux. I believe they have a future for many
applications; example rear speaker in home theater, as a simple panel mounted
on a hinge that you swing open for use.

KR
enterprises is back as KR audio , its the same bullshit again under a different
name .
I
find it easy, they give warranty's then they say no, the warranty is with KR
enterprise, not with KR audio we are an entirely different company, to me the
tubes look the same, the amps look the same and the marketing story sounds the
same. Mr Krone died at the age of 68 and his wife continues to run the
business. (The ethics didn't change)
Audio
Note was disappointing, nothing new under the sun, and no improvement either,
nothing to take photos off really, and quite empty, they even put a note on the
door: "Please come in "
On
the image side, I was extremely impressed by the Italian Sim 2 retro DLP
projector. This one clearly had super image, off course they used a Faroudja
line processor up-scaler but never the less the image was super. I never liked
classic retro-projectors, crt or lcd and this one is 100x better.
Even
in many rooms big projectors where not as good, Tag Mclaren had a huge
projector and that was not on par, and they used the up-scaler as well (their
own) The Speakers at Tag Mclaren sounded much better when they didn't use the
processor to correct the EQ, unfortunately they don’t see it my way.
Or
rather they don’t hear it my way!
And
to cap it off in simple stereo they sounded great, in 7.1 not so good.
M&K
sound was also exhibiting, they are my competition in Belgium for studio
monitors, and they did a good job, they make good monitors and they are
suitable for audio.(and they didn't change anything because you never know)
They
use mainly Dynaudio and Vifa parts.
JM
lab was very present with beautiful speakers, the mnf quality is awesome, the
sound quality is very good, slightly over bassed for the rooms there, but good.
Phonar
akustik uses a midrange that is slightly smaller then the bass unit.
I
cant follow but the result is good, so I guess they did a good job.
Isophon
used to make superb speakers, I didn't get a chance to listen carefully but I
don’t think they lost there ability .
The
Mosquito speaker from Audiostones looks impressive but sounds disappointing. It
uses fairly cheap speaker parts, this is amazing to me as the housing looks
very expensive.

I
also got to listen to the high efficiency of the big Dulcet system from Audio
Consulting, they use Supravox speaker units and I am curious but the sound was
not my cup of tea. They claim 98dB/w/m seems realistic to me, but not coherent
and aggressive mid-highs turns me off.
On
another note, I heard for the 2nd time the big system TRIO and liked it more.
Although the basses are not so good, I know why I didn't like them the day
before.
They
claim, 109dB/w/m;this may be ALMOST true, if they have 103dB they already have
tremendous sensitivity.
Why
didn't it sound so good, well because they play to quiet. And with transistor
amps at low power say 50 milli watts, there is plenty x-over distortion ect.
This time I asked for the volume to be pushed and on classical it was
excellent, again as soon as we go to blues where it should excel, it deceives.
Mostly due to lack of a good dry bass, there is enough bass but its not good,
its not dry and clean and fast, its wooly, its fast but not precise.
I
also got a good listen at the Ceratech home theater set.
Its
very elegant and quite good, for home theater I can recommend it, good sound,
good bass, good 3d and not aggressive.
In
another room i was very impressed with the sound .
Mr
Brinkmann made an excellent speaker the Capra.
The
speaker used magnetostatic speaker elements from stage accompany for the
tweeters, with a modified front plate for better 3d imaging and wider
dispersion. The bass and mid units are from a German company called Podzus
Gorlich I believe, they makes these already for 20 years and use a kind of
Styropor for membrane.
That’s
their trade mark and they did sound excellent.
These
speakers have excellent impulse response, and very good headroom.
Probably
also with 12 or 18dB filters which help when dynamics are important.
The
same Bass units are used by Expolinear with their own magneto static units sold
also as RTC I think (not sure).

I
also heard another 2.5 way speaker with Thiel, 2 C2 95T with a tweeter C2 23 is
my guess and this speaker didn't have much volume. It is relatively shallow,
oval in shape but sounded great. Or maybe I should say it has the sound I like!
It's
made by L'ensemble and the model is the Falcon.
I
didn't ask the price but for many of us DIY you can probably build this for a
fraction of the sales price.

I
also got to hear the Lumenwhite speaker from
Living Sound.
Didn't
really like it. Probably more a choice of filtering, because I know the sound
the units are capable of. And I fell from my chair, so to speak, when I heard
the price = 38000 euros .

Then
I had the pleasure to listen to another dB wonder, the Odeon horn speaker, but
i don’t catch on to these either.
And
then the pleasure of another Thiel Eton speaker from Audiaz, 2 Eton 17 cm used
as bass units, 1 17 cm Thiel ceramic bass midrange used a s midrange and the
Eton Magnetostatic tweeter. Very good indeed (and reasonably priced compared to
the competition at 10000 euro/pair. It was the Aurea model, they could do
better on the enclosure but you cant have everything, can you ?
I also had the pleasure to listen to another
Full-range miracle by Dynavox , although this one was assisted by a super
tweeter, the unit a cheap 17 or 21 cm paper unit in a simple bass reflex
housing.
It
all looked cheap and sounded bad to me, but the public was impressed,
especially for the price, 1995 euro/pair. Cost you probably less then 450 euro
to build with the same finish.
Bandor
was also present with their new line of speakers, and a novelty their new
subwoofer with their new 30 cm speaker.
And
it sounds very good indeed. They use an active system, tube amps and vinyl,
very nice . They demonstrated on EAR PP amps, they need a lot of power for the Bandor drivers, because
its a mini driver with a long hub, very light alu membrane and alu wired voice
coil (for lighter assembly) and probable to big an airgap. Hence the low
sensitivity of 84dB/w/m. The designer finds that the 4 ohm version sounds
better then the 8 ohm one, because its lighter.

Another
big surprise awaited me in the room of Monster cable, they demonstrated new
amps and new speakers, the sound was very good, for home theater. This is an
excellent set, excellent integrated subs in the design, the active sub serves
as a base for the speakers. Where the ingenious part is that the subs have gold
plated small tabs on top through which the signal is carried to the satellites.
The spikes of the satellites carry the signal over to the speaker units.
This
gives you 4 active subs, placed in the corners for awesome bass response.
Especially
in the small rooms of the show!
Medium
sized cabinets but excellent bass response. The top speaker is probably a 2 way
system that is 12dB filtered and has enough headroom. But as usual in home
theater it is the center speaker that lacks, most are just not good, and this
one is no exception. All voices are over bassed and therefore difficult to
follow the conversations in the soundtrack. (Star wars)
Donald
North audio presented the DNA sequence, double d'Appolito meaning 4 peerless
CSX176 around another peerless horn tweeter in a sealed enclosure. The bass driver,
a 38cm monster from the car subwoofer scene mounted in an open enclosure.
Naturally the bass short circuited and therefore although not bad sounding the
bass was poor even though the bass unit was working overtime.
Finally
I visited another Belgium compatriot from the same town as me.
Mr
Koen Vaessen also had a stand there exposing his Box as he calls it, he gives
an excellent demo, he uses excellent music and he is 1 of the only ones using
the excellent Shanley CD player.
Small description of his Box; 2 Visaton alu 13cm cones produce excellent bass and very good midrange.
Visaton itself produces many kits with these units, again a guarantee that they are excellent and its not just coincidence .
He
does the shape as he has an artists view on it and it can be a bit more then
just a rectangular box.
Just
look at his reference model the Aquarius.
Stunning looks, very good sound, it has impressive bass and very good slam and people like it.
He is growing and attended many exhibitions world wide with these speakers.

Garrard
was also there with very good looking turn tables.
I
wonder if this really is such a big market, Thorens was also there but they
showed real cheap stuff, whereas Garrard showed good quality solid simple stuff.
Also present where Avalon. I hadn’t heard
them yetand in the small rooms they didn’t impress me. But I must acknowledge
their success, it is big amongst the people who buy my amps here in Belgium.
One
of the upcoming great brands is the Chinese or Taiwanese Usher brand.
They
look great, sound great and are excellent value compared to the competition.
They
use identical looking chassis to the top brands like Sonus Faber but the units
are made in house and are also available for the DIY market.

And know
because the magazine is called Tube Audio.
That’s
all Folks.